Silke Panse’s research is mostly on documentary moving images in diverse manifestations with a current focus is on eco-aesthetics, materialisms and realisms. She was the co-investigator of the AHRC-funded Screening Nature Network (2013-14) and is working on the monograph An Ontology of Documentary Eco-aesthetics: Protagonists between Realisms and Materialisms. She has published ‘Ten Skies, 13 Lakes, 15 Pools’ about James Benning’s films in Screening Nature: Cinema Beyond the Human (2013) and will contribute the chapter ‘The World is not out of the Woods’ on Benning’s two cabin installation for a collection for Edinburgh University Press. She has written about the documentary protagonists’ material labour of aesthetics in A Companion to Contemporary Documentary Film (2015) and about their immaterial labour in Marx at the Movies (2014). Silke is the co-editor of A Critique of Judgment in Film and Television (2014) which includes her chapter ‘The Judging Spectator in the Image.’ She is currently writing the article ‘The Material of Athleticism: Werner Herzog’s Documentaries, Deleuze and Bergson’ for Deleuze Studies in development of her monograph Herzog, Deleuze and Documentary. She also makes one shot videos.
Silke Panse has her short essay “Of Cows, Cryptocurrencies and Machines in Images” included in this month’s curated Docalogue (Documentary Dialogue) website:
Reader in Film, Art & Photography, Silke Panse has co-organised the conference ‘Has Documentary Failed?’ which she also presented on. The conference took place on Saturday 15 December at the Birbeck Institute for the Moving Image.
The conference was looking to discuss:
Documentary has often been lauded for its ability to educate, transform, provoke, and mobilise. High …